Prumada parasitária, 2023, Site specific installation at Balcony Gallery – Painted plastic tubes and electrical equipment, Variable dimensions | Fot. João Neves
Verdes anos (Evinel / Desenhos preparatórios #2), 2023, Collage on painted wooden board, 75 x 105 cm | Fot. João Neves
Verdes anos (Evinel) #2, 2023, Vitroceramic tiles on wood, framed, 200 x 150 cm | Fot. João Neves
Elevador (On air) // Contrails, 2023, Site specific installation at Balcony gallery – Stainless steel, mirror, wood, lighting, sound equipment and signage, Variable dimensions | Fot. João Neves
Punch card / Cartão Perfurado, 2021-2023, Painted card on intervened frame with museum glass, 85 x 122 cm | Fot. João Neves
Personal Data #1, 2023, Painting on wooden cardboard, white aluminum frame and museum glass, 105 x 75 cm | Fot. João Neves
Desvio padrão do algoritmo (ou linóleo paintings) #25, 2022 / 2023, Collage, painting and vitrification on linoleum, installed on wooden structure, 200 x 140 cm | Fot. João Neves
Balcony (A propos de l’unité), 2016-2022, Structure in polystyrene, cement and varnish paints, two bars of Marseille soap, 75 x 250 x 6 cm | Fot. RO studio
Diabolos, 2016-2019, Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights, 50 x 30 x 150-200 cm (aprox.) | Fot. RO studio
Inventário (Cidades planeadas), 2009-2015 , Printed vector drawing mounted on Fine Art paper, written text, metal rings kit, wood frame and acrylic glass, 75 x 276 x 12 cm | Fot. RO studio
Verdes Anos (or La piece du Resistence) #1, 2015-2016 , Wood, sound insulation sponge, plastics, paints and vitral varnishes, 363 x 331 x 15 cm
Ninguém Podia Dormir na Rede Porque a Casa Não Tinha Parede (Cinza), 2012 , Installation in two parts: Metalic information board and plexy glass – 100 x 117 x 29 cm, Metal structure, coloured plastic fabric and iron steel structure – 130 x 150 x 10cm, | Fot. Raquel Melgue
Blindex (1535-143 AD), 2010, Iron structure with axis of rotation and metal grid, false roof, wooden doors covered with mirrored craved acrylic and metal handles, 300 x 300 x 220 cm | Fot. Laura Castro Caldas