Primeiro estranha-se, depois entranha-se, 2023, Ballpoint drawing on Fabriano paper mounted on a black aluminum profile 0.8x3cm, black PVC box, lux bond gluing, frame, 3mm acrylic, 59 x 276 cm | Fot. João Neves

Personal Data #3, 2023, Painting on wooden cardboard, white aluminum frame and museum glass, 105 x 75 cm

Prumada parasitária, 2023, Site specific installation at Balcony Gallery – Painted plastic tubes and electrical equipment, Variable dimensions | Fot. João Neves

Verdes anos (Evinel / Desenhos preparatórios #2), 2023, Collage on painted wooden board, 75 x 105 cm | Fot. João Neves

Verdes anos (Evinel) #2, 2023, Vitroceramic tiles on wood, framed, 200 x 150 cm | Fot. João Neves

Elevador (On air) // Contrails, 2023, Site specific installation at Balcony gallery – Stainless steel, mirror, wood, lighting, sound equipment and signage, Variable dimensions | Fot. João Neves

Punch card / Cartão Perfurado,  2021-2023, Painted card on intervened frame with museum glass, 85 x 122 cm | Fot. João Neves

Personal Data #1, 2023, Painting on wooden cardboard, white aluminum frame and museum glass, 105 x 75 cm | Fot. João Neves

Desvio padrão do algoritmo (ou linóleo paintings) #25, 2022 / 2023, Collage, painting and vitrification on linoleum, installed on wooden structure, 200 x 140 cm | Fot. João Neves

Balcony (A propos de l’unité), 2016-2022, Structure in polystyrene, cement and varnish paints, two bars of Marseille soap, 75 x 250 x 6 cm | Fot. RO studio

Ninguém Podia Dormir na Rede Porque a Casa Não Tinha Parede (Cinza), 2012
, Installation in two parts: Metalic information board and plexy glass – 100 x 117 x 29 cm, Metal structure, coloured plastic fabric and iron steel structure – 130 x 150 x 10cm, | Fot. Raquel Melgue